Arts and Crafts Lamp Plans Arts and Crafts Floor Lamp Plans
Art Lamps and Lighting
More than a century ago, Louis Comfort Tiffany gave the world the art lamp, which radiates more than light and adds dazzler in proportion beyond its modest size.
Apply several tabletop or floor lamps in your Arts & Crafts interior to bring out the warmth of woodwork, textiles, and other furnishings.
More than a century ago, Louis Comfort Tiffany gave the world the art lamp, which radiates more than light and adds beauty in proportion across its modest size. Tiffany (himself known for his studio's intricate fine art-glass shades and sculptural bases) was helped forth in the cosmos of the art lamp by wizards of other mediums, among them copper and mica, mixed metals, oak, pottery, beat, wicker, and handmade newspaper. In that location may exist no substitute for an authentic table lamp from Tiffany Studios or the Copper Shop of Dirk Van Erp, gimmicky artists like Michael Ashford, Renee and William Morris, and Michael Adams of Aurora Studios are giving the former boys a run for their coin.

Floor lamp after Dirk Van Erp, by Craftsman Copper.
Or perhaps we should say the old girls. Women selected, cut, and handfoiled the mouth-blown glass used in Tiffany lamps. Tiffany invented the leaded drinking glass shade—a style that has been copied ever since. Unlike most of today'southward budget-minded reproductions, these extraordinary creations were intended to be true works of art.
Tiffany Studios fabricated superb use of slag glass, a type of variegated glass that shows color graduations platonic for scenic furnishings, like a lamp busy with reeds, or a sunset mural. Typical colors include amber, yellowish, green, citron (a blend of yellow and dark-green), blue, buff, or rose, often streaked with another color. Tiffany is also known for favrile drinking glass, a lustrous drinking glass with an almost liquid quality, ofttimes displaying feathery patterns and iridescent coloration.
Tiffany destroyed all of his formulas in 1930, but a handful of studios—including Lundberg Studios and Phoenix Art Glass—are making reasonable facsimiles of this lustre glass today.
Art-glass shades could exist overlain with metals, frequently in latticework or vine-like designs. 1 of the most innovative designers of this mode was Otto Heintz, who created unusual lamps with sterling silver overlaid on bronze, oftentimes applying similar filigree to the shades.
Art lamp bases sold past mid-priced mail-gild specialists like Montgomery Ward were usually of cast metal, with a variety of finishes that ranged from rich velvet brown and mottled copper to silver-plate. Other bases were made of ceramic pottery (Tiffany did a line of lamps using Grueby bases, and Fulper produced art lamps), quarter-sawn oak (a favorite material of Gustav Stickley), and wrought fe.
The well-nigh famous of metal bases, of form, are those in hammered copper. Dozens of artists worked in copper, including Lillian Palmer in San Francisco, Karl Kipp and the Roycrofters in East Aurora, New York, and Dirk Van Erp and his extended family in Oakland and San Francisco (the Copper Store didn't close until 1977). Amid the wonderfully inventive shapes Van Erp is known for are trumpet, bean pot, bullet, mushroom, and the "warty" lamp (so-called because of its lumpy texture, laboriously created with a wood mallet).
Several companies specialize in Van Erp-mode reproductions, notably Michael Ashford of Evergreen Studios, who manus-builds and patinates each of his lamps himself, and those from Mica Lamp Co., another shop that does its work in-house. The archetype Arts & Crafts shade for a hammered copper lamp is a conical mica shade with riveted copper rims. Because each shade is formed in layers, information technology's possible to decorate the mica with images of leaves or flowers, a technique that is more than oft attempted with paper lampshades today.
Another type of Arts & Crafts shade—but at present starting to exist seen in reproduction—is the wicker shade. Different inexpensive modern wicker lamps, menstruum wicker shades are ordinarily characterized by cross-hatched wicker lined with silk or cretonne, a fabric popular in the Teens and Twenties.
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